Most electric guitar players use blues scales in improvisation. If you only know one scale shape for each scale, then your hand will fall into the same old patterns for every solo you play.
One of the keys to effective improvisation is being able to access scales at any position on the guitar neck. This means, for example, not having to move to a new fretboard position in order to play a blues scale in a certain key.
There are no real short cuts to this: it simply requires putting in the time and learning multiple scale shapes. Five scale diagrams are provided, together with a blues lick drawn from each shape. Learn where the root notes and blues notes are located in each scale shape, then try joining the scale shapes up to create longer licks and lines.
Thank you for providing this lead. Hey, Brian! The major pentatonic scale is like a stripped down Mixolydian mode. Play along or jam with this blues rhythm. Learn two altered jazz endings in the key of C major.
The blues notes in a blues guitar scale are the flattened fifth notes. Play each scale up and down. Pay particular attention to where the blue notes fall in each shape.
You can find out more about blues scales here. The second pattern, FIGURE 2 , is a reduced version of this same scale, which includes only the root, b3rd, 4th, 5th and b7th. Resolving to the root A of the I chord allows us the opportunity to follow with a lick that can chart an entirely new course, which is exactly what we see next. LICK 2 B.
The bends to the b5th Eb and the b7th G tantalize our auditory nerves before resolving smoothly to the 4th D , which is the root of the IV chord. King-isms, and this one is no exception.
The bend of the b7th G to the root A should be executed with the pinkie, backed up by the ring, middle and index fingers. Accurate intonation and a steady wide vibrato are paramount to make this bad boy sing.
This book contains 25 new and original minor blues guitar licks. There are 5 licks for each of the 5 blues scale shapes shown below. Each lick has a. 25 Blues Scale Licks for Blues Guitar - Kindle edition by Joseph Alexander. Download it once and read it on your Kindle device, PC, phones or tablets.
Start with your ring finger, using it for the full-step bend and the repeat of the root A. Use your index finger for the b3rd C and the bend and vibratoed major 3rd C. The resulting dyad A—C provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor.
LICK 7 B. The quarter-note bend that begins each beat imparts an elastic feel that is quite captivating.
LICK 9 B. Walk down the chromatic run E-Eb-D with your ring, middle, and index fingers. Articulate the half-step bend with your ring finger.
Note the use of Eb as a passing tone between E and D, and the half-step bend from the B to C—neither of these twists belongs to the A blues scale.